Waitress Review: isn't it amazing what baking can do?
- Emma Knott
- 14 minutes ago
- 3 min read
31 March 2026 I New Wimbledon Theatre, London (UK Tour)
⭐⭐⭐⭐⭐ I PR - Invite
Last night, we were 'Opening Up' at the New Wimbledon Theatre with the tenth anniversary of beloved musical Waitress, directed by Diane Paulus and choreographed by Lorin Latarro. This show truly stands the test of time, with music and lyrics by American singer Sara Bareilles and now starring Carrie Hope Fletcher, commanding with warmth and sincerity.
From the earliest scenes, there is a palpable sense of nostalgia mixed with enthusiasm, as long-time fans and newcomers gather to celebrate a modern classic. The audience reception is electric yet comforting, much like the show itself. Familiar, heartfelt and filled with a quiet resilience that continues to resonate a decade from its debut.
As the curtain rises, and we hear the instantly recognisable "sugar, butter, flour" refrain, viewers are pulled into Jenna's world, setting the foundation to Jenna's journey. Although simple, these words symbolise something subtly powerful as they introduce not only the story, but the emotional metaphor of baking as a therapeutic outlet. Regardless of the auditorium size, the space feels intimate and personal, where humour and heartbreak sit side by side.
Jessie Nelson's book follows Jenna (Carrie Hope Fletcher), a gifted pie maker stuck in an unhappy marriage and dreaming of a better life. When she unexpectedly becomes pregnant, Jenna is forced to rethink her future with the support of friends Becky and Dawn. A steamy affair begins when she meets her new gynaecologist Dr. Pomatter, played wonderfully by Dan Partridge. The chemistry between Fletcher and Partridge is credible, particularly during Bad Idea. The vocal quality, in fact across the board, is unmatched and goosebump worthy!
The supporting cast equally shine under the spotlight. Sandra Marvin (Becky) and Evelyn Hoskins (Dawn) earn their flowers as Jenna's colleagues and best friends, guiding her through hardships with charm. Notably in The Negative, where their comedic abilities excel. Mark Anderson (Ogie) stands as a clear audience favourite, gifting us many laugh-out-loud moments and complimenting Hoskins in their bizarrely joyous pairing. Sturdy performances also come from Les Dennis as Old Joe and Ellie Ruiz Rodriguez as Nurse Norma where, despite smaller roles, their biting one-liners and genuinity pack an emotional punch.
A set design by Scott Pask is marvellous, shifting between private, stripped-back scenes and the vibrant, bustling pie shop, accompanied by an onstage band. A combination of realism and the surreal mirrors Jenna's inner world, enhancing the sharp contrast between sentimentality and the playfulness of hope. Suttirat Anne Larlarb's original costume design transports the audience with a lived-in, small town feel to compliment the narrative beautifully.
Bareilles' music is undoubtably one of the show's greatest strengths, blending punchy ballads with uplifting, comedic numbers that perfectly capture each character's voice. Expect the tears to roll through Fletcher's She Used To Be Mine, a sublime instance of acting through song, both raw and vulnerable. It can be challenging to hit the correct tone with the modern musical, yet Bareilles has fashioned a timeless score that opens its heart to us. Such catchy tunes, that I listened to all the way home!
Waitress remains an incredibly touching piece of theatre, charged with engaging choreography and a thoughtful staging. This anniversary production feels as fresh and impactful as ever, never losing sight of its message. It will make you laugh, reflect, and feel deeply, leaving a lasting impression long after the curtain falls. At the New Wimbledon Theatre until April 4th, and continuing an a major UK Tour, step up for your slice of musical heaven.
UK Tour Information & Tickets: https://waitressthemusical.co.uk/
Audiences are advised to note content warnings of domestic abuse and sexual innuendo before booking.
