Emerald Storm Review: a dazzling show that plays loosely on its Irish roots

Photography Credit: Nick Brooker

07 December 2025 I 16:00 I Emerald Theatre, London

⭐⭐⭐ I PR - Invite

Following a premiere earlier this year, Adam Garcia's Irish dance, cabaret and singing concept Emerald Storm returns for a limited engagement at the aptly named Emerald Theatre. The experience begins the moment you enter the art-deco inspired venue, tucked quaintly beneath Waterloo Bridge. The auditorium is breathtaking; cabaret-style seating with cosy sofas and tables beside the stage, and a sweeping balcony above that has a great view of the stage.

Before the show begins, we are drawn into our seats by the supporting band Fiddling Around, delivering lively traditional Irish tunes and country music. They do an incredible job of setting an atmosphere, especially for early arrivals, with shining vocals and impressive instrumental work.

The production opens with Tom Ball (of Britain's Got Talent fame), who immediately establishes a strong rapport with his audience as The Boss. He encourages filming of the performance from the outset and delivers an emotionally weighted series of vocals.

Photography Credit: Nick Brooker

When the Emerald Storm troupe spring onto the stage, from this moment until the interval, the energy never dips with exhilarating choreography from Garcia and Samantha Heather. While the dancing-singing talent is undeniably impressive, more traditional Irish dance and music would have been expected. Much of the background music is also modern and pre-recorded, where opening act Fiddling Around set an expectation that the remainder of the evening does not fully meet.

This being said, the integration of modern songs is fascinating, punctuated by occasional nods to Irish tradition, such as the Sea Shanty. David Sims' musical arrangements sometimes feel unusual for a production that markets itself on Irish flair, featuring the likes of Beyonce's Halo, yet the company's commitment and passion to movement more than compensates. Olivia Graydon (Irish dance) and Bayley Graham's (tap) performances are particular highlights, shining individually and within the ensemble. They are simply unstoppable, firing through traditional and modern steps with astounding speed!

Photography Credit: Nick Brooker

There is a loose storyline present, a rivalry between Irish and tap dancers, although it could be developed further to support a smoother flow, with transitions feeling staggered and occasionally awkward. The ensemble's camaraderie and sense of showmanship, combined with the uniquely designed cabaret atmosphere, makes the overall experience an evening to remember.

Emerald Storm may not adhere to audience expectations, a dazzling show that plays loosely on its Irish roots and fuses contemporary styles. However not claiming to be a high-stakes drama, the experience is fully realised. Complete with a sparkling venue, explosive choreography and high-energy swagger, this restaging makes for a wonderfully toe-tapping night out. Playing at the Emerald Theatre until 14th December, follow the link below for London tickets ahead of a major 2026 UK Tour.

Show Information & Tickets: https://www.emeraldstorm.net/