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The Great Gatsby Review (London Coliseum)
15 April 2025 I 19:30 I London Coliseum ⭐⭐⭐⭐⭐ The trending musical adaptation of F. Scott Fitzgerald's The Great Gatsby has finally reached UK shores, as audiences are graced with lavish, luxurious and sophisticated visions of excellence. A Broadway transfer that boasts enormity, the London Coliseum hosts a theatre spectacular of epic proportions, a mesmerising feat to guarantee a magical experience. Jay Gatsby invites you to the party of the century, and it would be fool

Jack Davey
Apr 25, 20254 min read


Kyoto Review (@sohoplace, London)
14 April 2025 I 19:30 I @sohoplace, London ⭐⭐⭐ Curated for audiences by the RSC and Good Chance Theatre, Kyoto provides a unique and charged dramatization of UN climate debates, a fascinating play inclined to prioritise the trends of unconventional theatre. Having the opportunity to be seated 'in conference', a highly immersive experience essentially marks our West End debut as delegates in the room. Though with the dangers of an overintellectual script and rapid pacing,

Jack Davey
Apr 19, 20253 min read


Animal Farm UK Tour Review (Leeds Playhouse, Quarry Theatre)
22 March 2025 I 19:30 I Leeds Playhouse, Quarry Theatre ⭐⭐⭐⭐⭐ In a strikingly relevant revival of George Orwell's political allegory, Tatty Hennessy's adaptation of Animal Farm is a grungy statement that employs beastly, brutish animals to exploit tyrannical power. Marking the 80th anniversary of the political fable, this Leeds Playhouse and Stratford East collaboration (assoc. Nottingham Playhouse) seeks a rebellious aesthetic that challenges traditional theatre conventi

Jack Davey
Mar 25, 20253 min read


A Streetcar Named Desire Review (Crucible Theatre, Sheffield)
15 March 2025 I 19:15 I Crucible Theatre, Sheffield ⭐⭐⭐⭐ With a recent resurgence of Tennessee Williams' legendary play A Streetcar Named Desire (primarily Rebecca Frecknall's sell-out revival), Josh Seymour's vision is consistently arresting and devastating. With a unique attention to psychological decline, this adaptation staged at Sheffield's Crucible Theatre proposes a contemporary Southern Gothic. Upon a thrust stage, this is open to both vulnerability and a competit

Jack Davey
Mar 18, 20253 min read


Blackeyed Theatre's Dracula UK Tour Review (New Theatre Royal Lincoln)
27 February 2025 I 19:30 I New Theatre Royal, Lincoln ⭐⭐ Dracula by Blackeyed Theatre is a stylised theatrical adaptation that remains faithful to Bram Stoker's novel. Staging literature's most infamous vampire, Nick Lane's directorial vision is unfortunately disorienting, often falling into stereotypes and tropes. This isn't inherently bad, though lacking the sophistication to venture beyond surface-level concepts. Visually, the piece is a gothic majesty and often benefi

Jack Davey
Mar 3, 20253 min read


& Juliet UK Tour Review (Curve Theatre, Leicester)
22 February 2025 I 14:15 I Curve Theatre, Leicester ⭐⭐⭐⭐⭐ With a jukebox musical score comprising of Max Martin's global hits, & Juliet is a phenomenon of 21st-century theatre. Returning for my second watch after a five year wait, this immensely uplifting show prioritises not only epic pop tunes, but also an admirable vigour through womanhood and gender nonconformity. The performance features subtle changes from London's Shaftesbury Theatre run in order to successfully to

Jack Davey
Feb 25, 20253 min read


Murder On The Orient Express UK Tour Review (Lyceum Theatre, Sheffield)
8 February 2025 I 19:30 I Lyceum Theatre, Sheffield ⭐⭐⭐ Murder On The Orient Express, adapted for stage by Ken Ludwig, is one of Agatha Christie's international legends, recognised by millions. I had once started watching Kenneth Branagh's 2017 film, although failing to reach the end following a lifeless opening. While Lucy Bailey's stage direction is a feat of inspired visuals and convincingly bleak atmospheres, a reluctant pacing leaves the train stuck at the station. N

Jack Davey
Feb 12, 20253 min read


Chicago UK Tour Review (Lyceum Theatre, Sheffield)
1 February 2025 I 19:30 I Lyceum Theatre, Sheffield ⭐⭐⭐⭐⭐ The first time I encountered Chicago was through Rob Marshall's 2002 film, an adaptation of the Kander & Ebb musical that I had absolutely adored. Although seeing Walter Bobbie's stage direction, live audiences are gifted the chance to fall in love with the show all over again. A sexy, sophisticated feat, fully sold-out audiences erupt into cheers and applause that speak for themselves. The opening line promises an

Jack Davey
Feb 4, 20253 min read
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